View from Peter Lamas
 
The View From Lamas Beauty
by Peter Lamas, Lamas Beauty Founder
 
 

Peter Lamas is one of the leading make-up artists and beauty experts in the world. His clients read like a Who's Who of Hollywood - Jackie Onassis, Elizabeth Taylor, Audrey Hepburn, Faye Dunaway, Diana Ross, Sharon Stone, Cindy Crawford and Kate Winslet, to name but a few. Peter's film credits include the gorgeous make-up design seen in James Cameron's Titanic. Peter regularly appears on television and in the media in North/South America, Europe and Asia. He travels extensively across the globe, speaking to women of many different cultures, about how they can realize their potential to be beautiful both inside and out.

Peter is founder and Chairman of Lamas Beauty.

 

Shifting Sands of Beauty

 

"Venus" of Willendorf

The most famous early likeness of a human, a woman, is the "Venus" of Willendorf, found in 1908 by archaeologist Josef Szombathy near the town of Willendorf, Austria. The first figures we know of which represent the human form are believed to be more than fifteen thousand years old; they are all female, very round and bumpy, with prominently displayed sexually erotic areas (breasts, belly, rear). Some call these curvy girls fertility Goddesses, but for all we know they are the Stone Age equivalents of Pamela Lee, and were tucked by males under primitive beds like a favorite photo from Playboy.

The tiny Willendorf statue is voluptuous and sensuous, and dare I say - sexy. You almost believe you can reach through the aeons and touch her soft skin, and whisper to her how beautiful she looks in her intricate head covering. This ancient female, who probably was worshipped and cherished in her own time, would most likely be overlooked and ignored by many modern Western males - perhaps even ridiculed. Does this mean that this woman was not beautiful? Actually, in my own experience at watching the so-called "standards of beauty" shift and evolve, it just indicates that people are fickle, and that what one considers "beautiful" is set by forces other than just brute "nature." Humans are the only animal on the planet who can convince themselves wholeheartedly one day, year, decade or century that a certain feminine type with a particular hair color, style, body shape and height is the pinnacle of beauty; and decide the next that this same woman is grotesque.

Over the last 30 years of working in the "world of beauty," I have witnessed some changes in this mercurial "standard of beauty" which I find disturbing - even dangerous.


Betty Grable

During the 1940's, blonde and leggy pin-up Betty Grable inspired a generation of war weary American GI's. At one point, her famous legs were insured for over one million dollars. Today, Grable would probably be told by a casting director or modeling agent to "go home and lose 20 pounds." Marilyn Monroe, the iconic sex symbol of the 50's, had a BMI

Marilyn Monroe

(Body Mass Index) of 20 (which is considered by the insurance agencies, which set this standard, to be ideal). Perhaps Monroe, who already had a habit of controlling her weight with addictive diet pills, would have been ordered to drop 30.

The image of Lisa Fonssagrives, the top fashion model of the 50's, served as inspiration to the cream of fashion photographers, including George Hoyningen-Huene, Man Ray, Horst, Erwin Blumenfeld, George Platt-Lynes, Louise Dahl-Wolfe, Norman Parkinson, Richard Avedon and of course Irving Penn (her husband).


Lisa Fonssagrives

Most people would probably not think of Lisa as overweight, but she is positively obese compared to the stick women who currently appear in fashion magazines and on the catwalks.

From 1974 to 1984, once a month I trekked to Lincoln Center to style the hair for the ballerinas in George Balanchine's renowned troupe, the New York City Ballet. I came to know many of these girls quite well. It was not a secret that if you wanted to work in the company, you'd have to starve yourself. I'd watch them drink water and eat a leaf of lettuce, and then do their exhaustive training regime after rehearsal. I'd see the results of this abusive lifestyle show up in their hair. It was dull, very weak, and would literally be coming out in clumps into my brush. Balanchine can be credited - or blamed - for creating the notion of the ideal ballet body. He was always telling his dancers that he wanted to "see their bones." Unfortunately, many of Balanchine's ballerinas are now the ones who control many professional companies, so his perverse legacy continues. A "Balanchine body" is one with narrow hips, little or no fat deposits, long, lean legs, a short, slim torso, small breasts, and delicate looking arms. Very few people genetically fit that description, which is why eating disorders are so common among ballet dancers. Most frightening of all is the fact that ballet dancers are expected to be between 10-15% below normal weight, and the gauge for anorexia nervosa is 16% below normal weight. This is obviously unhealthy.

A story we are currently running in the View from the Community section of LamasBeauty is what sparked my ruminations on the capricious and unpredictable concept of "beauty." The young woman who wrote this article, a fashion model, is fully aware that her chosen career has caused her to make certain sacrifices (such as...food), but she understands and accepts her lifestyle. She enjoys the benefits (high pay, glamour, excitement), and endures the drawbacks (rejection, uncertainty, and more rejection). Over all, I think her attitude is fairly healthy. She has a great understanding of her strengths, as well as her weaknesses. That said, if my own daughter had told me she wanted to be a model, I'd have strongly discouraged her. And remember, this is coming from someone who has worked in the beauty industry for three decades.


Kate Moss

Quite honestly, I believe that it is insulting to women to try to force them to squeeze into what is, in reality, an absurd (and always changing) ideal. My advice to my own clients is always, "Do what suits you best. You can't force your body to be what it isn't." That ultra-thin look that is so popular now is but a fleeting dream. Most women would have to literally starve themselves to look like Kate Moss. "Today the ideal woman has the legs and hips of an adolescent boy and the breasts of a mature woman. That's impossible for most of us to achieve without surgery," says Anne Bolin of Elon College in North Carolina, who studies women body builders." And with genetics playing the largest role in how tall you are and what your body shape is, in my opinion this type of surgical intervention is downright brutal.

I think it's unnecessary to try to create an illusion of what your body isn't meant to be. And in this dieting, obsessed-with-thinness-culture in which we live, this notion is almost radical. Women need to embrace and accept who they are, and understand that who that person is is perfect - whether she is shaped like the mysterious prehistoric Venus of Willendorf, or a six foot 14 year old waif parading around in clothes which her Mommy might be able to afford, but could never fit into.

With much love,

Peter Lamas

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